program

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

Three artists and their guests will sit together, sleep, eat, and discuss the collectively authored Manual for Togetherness, their doubts, their dead ends, their questions. The whole process, for the duration of the performance, will be staged, embodied, entwined, improvised.

Three artists and their guests will sit together, sleep, eat, and discuss the collectively authored Manual for Togetherness, their doubts, their dead ends, their questions. The whole process, for the duration of the performance, will be staged, embodied, entwined, improvised.

Findet ihr es auch erstaunlich, dass Paul Lafargue, einer der Protagonist*innen der Pariser Commune, einen kreolischen Hintergrund hatte? Und wenn ja: Warum eigentlich? Schwabinggrad Ballet & Arrivati bewegen sich auf der Straße zwischen Performances, Musik, Choreografien und Agitprop und fragen und was trotz aller Unterschiede gemeinsam gemacht werden kann.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

Three artists and their guests will sit together, sleep, eat, and discuss the collectively authored Manual for Togetherness, their doubts, their dead ends, their questions. The whole process, for the duration of the performance, will be staged, embodied, entwined, improvised.

Where is a city really shaped? Who is present when there is thought of the future city? Lea Richter and Leonie Wendel return the discourse back into public space. They lend an effortlessness to the practice of changing urban spaces, turning citizens into actors who experience their self-efficacy within the shaping and the use of urban spaces.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

Artist groups Emanzenexpress and Working Class Daughters take a deep dive into the archives of feminist practice. They talk about money, class divisions, and redistribution, and they are going to invite their guests to participate in actions, interventions, and discussion. There will be invitations to evening gatherings, and workshop invitation on May 14th, as well as a class-conscious hang with Tanja Abou on May 13th.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

Artist groups Emanzenexpress and Working Class Daughters take a deep dive into the archives of feminist practice. They talk about money, class divisions, and redistribution, and they are going to invite their guests to participate in actions, interventions, and discussion. There will be invitations to evening gatherings, and workshop invitation on May 14th, as well as a class-conscious hang with Tanja Abou on May 13th.

Artist groups Emanzenexpress and Working Class Daughters take a deep dive into the archives of feminist practice. They talk about money, class divisions, and redistribution, and they are going to invite their guests to participate in actions, interventions, and discussion. There will be invitations to evening gatherings, and workshop invitation on May 14th, as well as a class-conscious hang with Tanja Abou on May 13th.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

Im Rahmen von Place Internationale präsentieren Mable Preach und Formation Now** eine Performance, die u.a. dem politischen Aktivismus und dem künstlerischen Schaffen der Lyrikerin und der Musikerin gedenkt, die bis heute wichtige Identifikationsfiguren für Schwarze Künstler*innen in Deutschland sind.

Where is a city really shaped? Who is present when there is thought of the future city? Lea Richter and Leonie Wendel return the discourse back into public space. They lend an effortlessness to the practice of changing urban spaces, turning citizens into actors who experience their self-efficacy within the shaping and the use of urban spaces.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

Arno Gisinger’s large-format photographies show objects of memory from so-called reliquary caskets, which arose in the immediate aftermath of the suppression of the Paris Commune. The semi-opaque pictures are animated by a special kind of lighting, creating a spatial overall view assembled from disparate fragments.

The Rote Ruhrarmee (Red Ruhr Army) developed as a result in the fight against the so-called Kapp Coup of March, 1920.The excursion from Düsseldorf into the Ruhr Area connects historic sites with spaces of contemporary (cultural) policy practice and scrutinises the connected politics of commemoration and archival strategies.

Arno Gisinger’s large-format photographies show objects of memory from so-called reliquary caskets, which arose in the immediate aftermath of the suppression of the Paris Commune. The semi-opaque pictures are animated by a special kind of lighting, creating a spatial overall view assembled from disparate fragments.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

The round table talk on Photography as Image Politics continues the debate on image politics of Arno Gisinger’s as well as Bouchra Khaili‘s installational works.

From the laterna magica on to 19th century dioramas towards the first camcorder, imaging techniques and visual means of presentation will be examined in the context of political struggles to reflect on them as part of the collective memory as well as in their contemporary reference.

The ANT!FOTO Bar emerges from the exhibition and event series ANT!FOTO. Following stops at Filmwerkstatt Düsseldorf, Kunstverein Bielefeld and the Sprengel Museum in Hanover, the bar will now open for one evening at the FFT on the occasion of the Photo+ Festival. The guests are invited and called upon to bring their own books or other interesting publications.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

A large, star-studded Gintersdorfer/Klaßen cast now assembles for La Rue – a communal roadshow. It is going to transform songs of the Commune, together with experiences and discussions that occurred during the first part of Place Internationale in September, 2021, into a performative song show that will be presented on the spaces in and around KAP1.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

A large, star-studded Gintersdorfer/Klaßen cast now assembles for La Rue – a communal roadshow. It is going to transform songs of the Commune, together with experiences and discussions that occurred during the first part of Place Internationale in September, 2021, into a performative song show that will be presented on the spaces in and around KAP1.

Visual artist Bouchra Khalili examines solidary action and strategies of resistance with the aid of several different media. Consisting of a digital film, a sculpture, a series of silkscreen prints and a tapestry, Khalili’s The Magic Lantern is concerned with the role of medial image production in revolutions and liberation movements.

The École des Actes, residing in Aubervilliers, proposes a fundamental right to work for people in motion. During one excursion, performative interventions with artistically designed placards and an open workshop talk, we will also enter into a conversation on questions of self-organisation and the situation in France following April’s presidential elections in April.

A large, star-studded Gintersdorfer/Klaßen cast now assembles for La Rue – a communal roadshow. It is going to transform songs of the Commune, together with experiences and discussions that occurred during the first part of Place Internationale in September, 2021, into a performative song show that will be presented on the spaces in and around KAP1.