as part of Shift the Vibe

10.09. – 13.09.2026

FFT and tanzhaus nrw, together with the Alliance of International Production Houses, invite you to the Claiming Common Spaces festival! Under the motto Shift the Vibe, four days filled with performances, encounters, parties, and conversations await you.

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Ulrike Haß, Laura Strack

The Lizard’s Traces

A Workshop in Times of Planetary Unrest

Workshop Talks & Workshops

The global crises and wars of the present stand in stark contrast to the actually unfathomable: The human species, entirely dependent on the lives of countless other species, functions as a planetary power. Meanwhile, life, connected to a strange, planetary deep time, continues and also proves it can, time and again, regenerate. The injured lizard’s tail grows back. Starting from theatre, the workshop probes for the interconnectedness of global and planetary processes and dares to attempt orientation.

The results of the workshop will be presented on the final day of Shift the Vibe, Sunday, September 13, from 2:00 p.m. to 3:30 p.m. at tanzhaus nrw.

cast

*Ulrike Haß*was born in Berlin and studied German Philology, Politics and Psychology at the Free University Berlin. She subsequently worked as a publishing editor, author, and dramaturge, while questions of dramaturgy and theatre steadily gained more weight with her. As a board member of the Dramaturgische Gesellschaft (Dramaturgical Association) from 1986 until 1990, she organised many events on the positions of German-language and European dramaturgy, together with Theresia Birkenhauer from the FU Department of Theatre Sciences. She simultaneously worked on her dissertation and graduated with her thesis “Militante Pastorale. Antimoderne Bewegungen im frühen 20. Jahrhundert” (“Militant Pastoralism. Anti-Modern Movements during the early 20th Century”). Following a year as a post-doctorate at the graduate college “Theater als Paradigma der Moderne” (“Theatre as Paradigm of the Modern Era”) at Mainz’s Johannes Gutenberg University, she went to FU Berlin as an academic assistant for Theatre Sciences. She then went to Ruhr University Bochum in 1999, at first deputising before receiving her own position, to then being tenured as a university professor for Theatre Sciences at Ruhr University Bochum following her postdoctoral qualification with a theatre and cultural history thesis (“Bühnenform und Wahrnehmung”) (“Stage Form and Perception”) at FU Berlin in February of 2000.In Bochum, building the young institute took precedence. Together with Guido Hiß, she developed numerous collaborations, ensured a continuously growing network for both the institute as well as its students with the North Rhine-Westphalian theatre scene, founded an annual publication of the institute for Theatre in the Ruhr Area (Theater über Tage, 2007-2012, Schauplatz Ruhr) and prepared the implementation of a master’s degree “Szenische Forschung” (“Scenic Research”), established in 2012, that has been educating, under the guidance of Sven Lindholm, students in the field between art and sciences.
Ulrike Haß is a member of the International Theatre Institute ITI as well as of the International Heiner Müller Society and International Scientific Partner of the Joint Research Network Elfriede Jelinek. Interuniversitären Forschungsverbundes Elfriede Jelinek.

credits

As part of the Alliance of International Production Houses, the production receives grants from funds provided by the German Federal Government Commissioner for Culture and the Media.