program

This evening is dedicated to the daughters of the future. Artists’ collective waltraud900, together with young performers, develops an overwriting re-imagining of the tragedy “Iphigenia in Aulis”, in which King Agamemnon sacrifices his daughter Iphigenia to bring thousands of ships and warriors to Troy. She does not resist but rather welcomes her own death.

The FFT Foyer is not only a splendid space to wait for the start of a theatre performance. Starting now, you can also use it to simply meet people here for a drink, gather with friends, letting your day wind down. In May, and by way of exception, we will invite you to the bar on the second Tuesday of the month.

How can we achieve an equity of participation in culture? What are the strategies and concepts employed by cultural institutions to reach new or diverse audiences? And: What does a potential audience think of those ideas? The workshop talk will be about all this, while current research findings of an examination on users’ behaviour in culture will be presented and discussed.

This evening is dedicated to the daughters of the future. Artists’ collective waltraud900, together with young performers, develops an overwriting re-imagining of the tragedy “Iphigenia in Aulis”, in which King Agamemnon sacrifices his daughter Iphigenia to bring thousands of ships and warriors to Troy. She does not resist but rather welcomes her own death.

Welcome to the Cultural Breakfast at the FFT Düsseldorf. This free offer is for everyone who wants to take a look behind the scenes of independent theater and talk about it with others! Every 2nd Friday of the month we invite you to our foyer to meet artists and other guests, current topics and new plays.

This evening is dedicated to the daughters of the future. Artists’ collective waltraud900, together with young performers, develops an overwriting re-imagining of the tragedy “Iphigenia in Aulis”, in which King Agamemnon sacrifices his daughter Iphigenia to bring thousands of ships and warriors to Troy. She does not resist but rather welcomes her own death.

In the </A “Manifesto” of= {every} One.s Own> installation, the visitors individually encounter an archive of texts, sounds, images, and a stage equipment ensemble. Together with an artificial intelligence, they put the puzzle pieces of past fights into new contexts, searching for options open to collective political action in times of codes and computers.

The term “artificial intelligence” often conceals precarious human labour. All over the world, around the clock, workpeople labour on tasks of which we believe: Those are solely the computer’s doing. This so-called “ghost work” phenomenon is translated into an experience for six persons in this installation.

The term “artificial intelligence” often conceals precarious human labour. All over the world, around the clock, workpeople labour on tasks of which we believe: Those are solely the computer’s doing. This so-called “ghost work” phenomenon is translated into an experience for six persons in this installation.

The term “artificial intelligence” often conceals precarious human labour. All over the world, around the clock, workpeople labour on tasks of which we believe: Those are solely the computer’s doing. This so-called “ghost work” phenomenon is translated into an experience for six persons in this installation.

from 10 years

Ten-year old Kully and her parents flee from the Nazis. Their journey takes the small family all across Europe. They keep encountering the same questions: Who is my friend? Who is my foe? Where do I belong? And: Who will stand up for me if I belong nowhere? The protagonist’s exile narrative is complemented by the experience of people who themselves fled to Germany when they were children.

The term “artificial intelligence” often conceals precarious human labour. All over the world, around the clock, workpeople labour on tasks of which we believe: Those are solely the computer’s doing. This so-called “ghost work” phenomenon is translated into an experience for six persons in this installation.

A foyer is a space of encounter and gathering, of seeing and being seen. But it can be so much more! Especially when digital possibilities enter the game. Step into the foyers of two very different theatre houses. Together, we present what we accomplished during a four-year collaboration funded by the German Federal Cultural Foundation.

In the </A “Manifesto” of= {every} One.s Own> installation, the visitors individually encounter an archive of texts, sounds, images, and a stage equipment ensemble. Together with an artificial intelligence, they put the puzzle pieces of past fights into new contexts, searching for options open to collective political action in times of codes and computers.

The term “artificial intelligence” often conceals precarious human labour. All over the world, around the clock, workpeople labour on tasks of which we believe: Those are solely the computer’s doing. This so-called “ghost work” phenomenon is translated into an experience for six persons in this installation.

The term “artificial intelligence” often conceals precarious human labour. All over the world, around the clock, workpeople labour on tasks of which we believe: Those are solely the computer’s doing. This so-called “ghost work” phenomenon is translated into an experience for six persons in this installation.

from 10 years

Ten-year old Kully and her parents flee from the Nazis. Their journey takes the small family all across Europe. They keep encountering the same questions: Who is my friend? Who is my foe? Where do I belong? And: Who will stand up for me if I belong nowhere? The protagonist’s exile narrative is complemented by the experience of people who themselves fled to Germany when they were children.

The term “artificial intelligence” often conceals precarious human labour. All over the world, around the clock, workpeople labour on tasks of which we believe: Those are solely the computer’s doing. This so-called “ghost work” phenomenon is translated into an experience for six persons in this installation.

The term “artificial intelligence” often conceals precarious human labour. All over the world, around the clock, workpeople labour on tasks of which we believe: Those are solely the computer’s doing. This so-called “ghost work” phenomenon is translated into an experience for six persons in this installation.

from 10 years

Ten-year old Kully and her parents flee from the Nazis. Their journey takes the small family all across Europe. They keep encountering the same questions: Who is my friend? Who is my foe? Where do I belong? And: Who will stand up for me if I belong nowhere? The protagonist’s exile narrative is complemented by the experience of people who themselves fled to Germany when they were children.

from 4 years

Drunter und drüber is a story about friendship and the power of fantasy.Two friends discover a treasure map during a pillow fight. It leads them into a fantastic world. A wondrous, adventurous treasure hunt unfolds before the audience’s eyes, without any spoken language.

Train Train 1/3 is the first instalment of a trilogy in which conceptual artist miu and his allies examine tram networks and their roles for the movement of bodies within urban space. Looking at junctions, transit, and guidance systems for people with visual impairments, the question for the organisation of mobility in urban community is posed.

from 4 years

Drunter und drüber is a story about friendship and the power of fantasy.Two friends discover a treasure map during a pillow fight. It leads them into a fantastic world. A wondrous, adventurous treasure hunt unfolds before the audience’s eyes, without any spoken language.

from 13 years

Nobody is free from the ideals of love in films, books, and music. Together with a group of young performers, Elbers/Zhukov ask: Can we save the power of love from consumerism?

from 13 years

Nobody is free from the ideals of love in films, books, and music. Together with a group of young performers, Elbers/Zhukov ask: Can we save the power of love from consumerism?

from 4 years

Drunter und drüber is a story about friendship and the power of fantasy.Two friends discover a treasure map during a pillow fight. It leads them into a fantastic world. A wondrous, adventurous treasure hunt unfolds before the audience’s eyes, without any spoken language.

A work session about play of perception and the perception of play, storytelling and dance, video and choreography. An embodied conversation and an interactive Q&A (Questions & Answers), between verbal exchange and samples from the physical practice which were part of the creation process.

Train Train 1/3 is the first instalment of a trilogy in which conceptual artist miu and his allies examine tram networks and their roles for the movement of bodies within urban space. Looking at junctions, transit, and guidance systems for people with visual impairments, the question for the organisation of mobility in urban community is posed.

from 4 years

Drunter und drüber is a story about friendship and the power of fantasy.Two friends discover a treasure map during a pillow fight. It leads them into a fantastic world. A wondrous, adventurous treasure hunt unfolds before the audience’s eyes, without any spoken language.

Train Train 1/3 is the first instalment of a trilogy in which conceptual artist miu and his allies examine tram networks and their roles for the movement of bodies within urban space. Looking at junctions, transit, and guidance systems for people with visual impairments, the question for the organisation of mobility in urban community is posed.

from 4 years

Drunter und drüber is a story about friendship and the power of fantasy.Two friends discover a treasure map during a pillow fight. It leads them into a fantastic world. A wondrous, adventurous treasure hunt unfolds before the audience’s eyes, without any spoken language.

The publication Baustelle Commune. Henri Lefebvre und die urbane Revolution von 1871 provides access to key passages from the text written by philosopher and urban space theorist Henri Lefebvre on the 1871 Paris Uprising for a German-speaking audience. On this evening, the authors will discuss Lefebvre’s observations on urbanism as well on revolutionary theory, with an eye towards contemporary changes in the city, in public space, and in urban community.