program

Choreographers Kathrin Spaniol and Morgan Nardi again take us along for a performative walk – into the mythical and legendary Aaaper Forest this time. It becomes the site of post-apocalyptic scenarios and the exploration of the hidden world of mushrooms. We wander to the Frauensteine, eavesdropping on dystopian tales, and encounter an eerie reality – gloomy and fascinating, poetical, and disturbing.

The fifth edition of the Recorded Sound Festival is devoted to “Spectralities”. Ten artists from the experimental music field and electro-acoustic sound art will present their pieces during the evening – subsequently facing the judgment from the expert jury and the audience.

The Threepenny Opera is very probably Bertolt Brecht’s most-performed piece. The story revolving around Mack The Knife, Jack Peachum and his daughter Polly combines snappy social criticism, delight, and enjoyment. Accompanied by a five-piece band of ensemble members, SeTA, under the direction of Kathrin Sievers, shows us that the shark has such teeth and how a ship with eight sails and with fifty cannons bombards the town.

The Threepenny Opera is very probably Bertolt Brecht’s most-performed piece. The story revolving around Mack The Knife, Jack Peachum and his daughter Polly combines snappy social criticism, delight, and enjoyment. Accompanied by a five-piece band of ensemble members, SeTA, under the direction of Kathrin Sievers, shows us that the shark has such teeth and how a ship with eight sails and with fifty cannons bombards the town.

The FFT Foyer is not only a splendid space to wait for the start of a theatre performance. Starting now, you can also use it to simply meet people here for a drink, gather with friends, letting your day wind down. In May, and by way of exception, we will invite you to the bar on the second Tuesday of the month.

The Threepenny Opera is very probably Bertolt Brecht’s most-performed piece. The story revolving around Mack The Knife, Jack Peachum and his daughter Polly combines snappy social criticism, delight, and enjoyment. Accompanied by a five-piece band of ensemble members, SeTA, under the direction of Kathrin Sievers, shows us that the shark has such teeth and how a ship with eight sails and with fifty cannons bombards the town.

Welcome to the Cultural Breakfast at the FFT Düsseldorf. This free offer is for everyone who wants to take a look behind the scenes of independent theater and talk about it with others! Every 2nd Friday of the month we invite you to our foyer to meet artists and other guests, current topics and new plays.

Where are those shared escapes from everyday life, where are those divergent ideas of community? At the edge of the city, between the pony farm, the motorway, and the emergency shelter, there lies the Datscha. Director and visual artist Marlin de Haan and her team abduct the audience to one of the last remaining Düsseldorf oases.

from 14 years

Transitions deals with current political liberation movements and the emancipation from inner constraints and boundaries. Young people with immigration biographies perform (auto)fictional stories and dialogue on the topic of freedom.

Where are those shared escapes from everyday life, where are those divergent ideas of community? At the edge of the city, between the pony farm, the motorway, and the emergency shelter, there lies the Datscha. Director and visual artist Marlin de Haan and her team abduct the audience to one of the last remaining Düsseldorf oases.

from 14 years

Transitions deals with current political liberation movements and the emancipation from inner constraints and boundaries. Young people with immigration biographies perform (auto)fictional stories and dialogue on the topic of freedom.

Where are those shared escapes from everyday life, where are those divergent ideas of community? At the edge of the city, between the pony farm, the motorway, and the emergency shelter, there lies the Datscha. Director and visual artist Marlin de Haan and her team abduct the audience to one of the last remaining Düsseldorf oases.

from 14 years

Transitions deals with current political liberation movements and the emancipation from inner constraints and boundaries. Young people with immigration biographies perform (auto)fictional stories and dialogue on the topic of freedom.

Es ist so weit. Das Haus ist bereit, wir können einziehen! Wer ist eigentlich „wir“? Und wer soll – wer darf hier alles wohnen? In der mehrteiligen Reihe „Haus / Doma“ benutzt das Performance-Kollektiv subbotnik das Haus als Bild für ein gesellschaftliches Miteinander und lädt ein, neue Formen des Zusammenseins zu feiern.

Es ist so weit. Das Haus ist bereit, wir können einziehen! Wer ist eigentlich „wir“? Und wer soll – wer darf hier alles wohnen? In der mehrteiligen Reihe „Haus / Doma“ benutzt das Performance-Kollektiv subbotnik das Haus als Bild für ein gesellschaftliches Miteinander und lädt ein, neue Formen des Zusammenseins zu feiern.

Where are those shared escapes from everyday life, where are those divergent ideas of community? At the edge of the city, between the pony farm, the motorway, and the emergency shelter, there lies the Datscha. Director and visual artist Marlin de Haan and her team abduct the audience to one of the last remaining Düsseldorf oases.

Es ist so weit. Das Haus ist bereit, wir können einziehen! Wer ist eigentlich „wir“? Und wer soll – wer darf hier alles wohnen? In der mehrteiligen Reihe „Haus / Doma“ benutzt das Performance-Kollektiv subbotnik das Haus als Bild für ein gesellschaftliches Miteinander und lädt ein, neue Formen des Zusammenseins zu feiern.

Es ist so weit. Das Haus ist bereit, wir können einziehen! Wer ist eigentlich „wir“? Und wer soll – wer darf hier alles wohnen? In der mehrteiligen Reihe „Haus / Doma“ benutzt das Performance-Kollektiv subbotnik das Haus als Bild für ein gesellschaftliches Miteinander und lädt ein, neue Formen des Zusammenseins zu feiern.

Where are those shared escapes from everyday life, where are those divergent ideas of community? At the edge of the city, between the pony farm, the motorway, and the emergency shelter, there lies the Datscha. Director and visual artist Marlin de Haan and her team abduct the audience to one of the last remaining Düsseldorf oases.

Es ist so weit. Das Haus ist bereit, wir können einziehen! Wer ist eigentlich „wir“? Und wer soll – wer darf hier alles wohnen? In der mehrteiligen Reihe „Haus / Doma“ benutzt das Performance-Kollektiv subbotnik das Haus als Bild für ein gesellschaftliches Miteinander und lädt ein, neue Formen des Zusammenseins zu feiern.

Where are those shared escapes from everyday life, where are those divergent ideas of community? At the edge of the city, between the pony farm, the motorway, and the emergency shelter, there lies the Datscha. Director and visual artist Marlin de Haan and her team abduct the audience to one of the last remaining Düsseldorf oases.

Es ist so weit. Das Haus ist bereit, wir können einziehen! Wer ist eigentlich „wir“? Und wer soll – wer darf hier alles wohnen? In der mehrteiligen Reihe „Haus / Doma“ benutzt das Performance-Kollektiv subbotnik das Haus als Bild für ein gesellschaftliches Miteinander und lädt ein, neue Formen des Zusammenseins zu feiern.

from 16 years

Marie and Margret are best friends. They share a flat and their lives, too, even when Franz Woyzeck, their neighbour, joins and falls in love with Marie. Marie and Woyzeck: That is a love that brings together two very different people, until it starts shifting, imperceptibly at first, before ending in savage violence.

from 16 years

Marie and Margret are best friends. They share a flat and their lives, too, even when Franz Woyzeck, their neighbour, joins and falls in love with Marie. Marie and Woyzeck: That is a love that brings together two very different people, until it starts shifting, imperceptibly at first, before ending in savage violence.

from 16 years

Marie and Margret are best friends. They share a flat and their lives, too, even when Franz Woyzeck, their neighbour, joins and falls in love with Marie. Marie and Woyzeck: That is a love that brings together two very different people, until it starts shifting, imperceptibly at first, before ending in savage violence.

from 16 years

Marie and Margret are best friends. They share a flat and their lives, too, even when Franz Woyzeck, their neighbour, joins and falls in love with Marie. Marie and Woyzeck: That is a love that brings together two very different people, until it starts shifting, imperceptibly at first, before ending in savage violence.

Get Over It is a queer DJ collective from Düsseldorf that has taken it upon themselves to turn the dancefloors in Düsseldorf inside out with hot sounds, while normalising a more inclusive and safer rave. DJs seren.a, MarXa, and Magical Grrrl deliver house and techno tracks with girly pop vibes to the FFT Foyer. Queers and FLINTA* to the front, the event is open to all.